From this definition, we can recognize what kind of position or posture is chosen to achieve readiness for defense and offense against the adversary, whose kinds will be discussed in the second book. Logically considering here that this predicament is different from the previous ones, because although the operative power can be a quality, it is separate from that which is reduced to position or posture of the swordsman, or non-swordsman, with a sword to fight against his opposite. This position or situation in this Science is understood in two ways. One is in essence, which is considered in the whole and parts of the combatant, and in this mode the special attention is to the posture. In another way, the situation is not only with respect to the posture or postures, but also with respect to the places and forms in which he positions himself to achieve the operation more perfectly, which can be called bodily situational ordination to execute the Maneuvers.
This Predicament posturing is distinct from the adverb Where, and its derivatives, because it does not include Where, Through where, and To where, but is another kind of accident, that looks at the situation and position of the body, arm, and sword, to find oneself in the combat prepared, waiting, or attacking with the perfection that the swordsman must have, both in the postures, as in the formation of the perceived propositions by real being, and executed by mathematical being, until executing a wound, staying defended at the time he offends.
This Predicament is so comprehensive, that it embraces the most essential of this Science, both in the Theoretical and Logical, as in the Practical, from which demonstrations are formed in the second book, where it is taught in art by precepts and rules what is here reasoned by discourse and science, from which is derived the knowledge that must precede the operation, and Maneuvers, that include the postures of waiting, and attacking, with the means that must concur proportionally and proportioned, in order to the defense and offense, with the requisites and circumstances that must be observed in any posture, motion, and act, in which the swordsman will situate himself in the whole, and parts, with the perfections that he can acquire by nature and art, which is insinuated in the following Schema.